Archives for posts tagged ‘avant garde’

Mantra in A 2021-2022 & 2022-2023

dedicated to Evangelos Odysseas Papathanassiou (aka Vangelis)- dedicated to Ryuichi Sakamoto & Angelo Badalamenti-

myriad

Myriad is a post-apocalyptic love story comprised of 10,000 tracks of recorded audio, yielding a great wall of sound. Unfolding over 31 minutes, the piece features over 150 performers on 200+ instruments including the Persian santur, various ARP/Buchla/Moog analog synthesizers, gamelans (handmade by Lou Harrison), classical strings, tympani, harpsichord, and percussion. Myriad is performed by a veritable “world orchestra”, creating the […]

The Wire magazine review of “The Black Room” by Dokuro

(2008- David Stubbs) Based in Oakland, California, Dokuro are visual artist/composer Agnes Szelag and the magnificently nomenclatured The Norman Conquest. They include the word “pop” in their self-definition, which is a little like Sunn 0))) locating a Country & Western element somewhere in their music. This is extremist fare that blasts away the earwax without […]

textura online review of “The Black Room” by Dokuro

(2008- textura) Dokuro, which unites electro-acoustic improvisers Agnes Szelag and The Norman Conquest, kicks up some serious feral dust in The Black Room. Though four of the EP’s five pieces are short, brief running times don’t prevent the pair from plunging into viral, feedback-infested pools where electronics and cello meld into feedback-drenched vortices. Much of […]

The Wire magazine review of “Leaves and Snows” by Berthiaume/Sirjacq/Teale

(2006- Brian Marley) Of the three players on Leaves and Snows, only guitarist Antoine Berthiaume is known to me, from Soshin, a series of duets on Ambiances Magnetiques with fellow stringbenders Fred Frith and Derek Bailey. Berthiaume is nearer to Frith than Bailey in his guitar stylings, and on Leaves and Snows he’s occasionally drawn […]