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	<title>the norman conquest &#187; reviews</title>
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		<title>Barn Owl Ancestral Star available for pre-order!</title>
		<link>http://www.thenormanconquest.net/recording/barn-owl-ancestral-star-available-for-pre-order</link>
		<comments>http://www.thenormanconquest.net/recording/barn-owl-ancestral-star-available-for-pre-order#comments</comments>
		<pubDate>Fri, 13 Aug 2010 17:26:56 +0000</pubDate>
		<dc:creator>the norman conquest</dc:creator>
				<category><![CDATA[recording]]></category>
		<category><![CDATA[reviews]]></category>
		<category><![CDATA[barn owl]]></category>
		<category><![CDATA[evan caminiti]]></category>
		<category><![CDATA[jon porras]]></category>
		<category><![CDATA[marielle jakobsons]]></category>
		<category><![CDATA[myrmyr]]></category>
		<category><![CDATA[portraits]]></category>
		<category><![CDATA[thrill jockey]]></category>

		<guid isPermaLink="false">http://www.thenormanconquest.net/?p=466</guid>
		<description><![CDATA[The wait is over for Barn Owl&#8217;s 3rd full length LP release!  Concerning the October release of Ancestral Star at Thrill Jockey&#8217;s website- &#8220;Recorded by The Norman Conquest in the fall of 2009, this was the first time that Barn Owl were able to take their time in a professional studio, fine tuning and honing the [...]]]></description>
			<content:encoded><![CDATA[<p>The wait is over for Barn Owl&#8217;s 3rd full length LP release!  Concerning the October release of <a title="Ancestral Star" href="http://www.thrilljockey.com/artists/?id=12625" target="_blank">Ancestral Star</a> at Thrill Jockey&#8217;s website-</p>
<p>&#8220;Recorded by The Norman Conquest in the fall of 2009, this was the first time that Barn Owl were able to take their time in a professional studio, fine tuning and honing the pieces over the span of a couple months. The majority of the tracks were recorded live to tape and were a mix of composed and improvised elements. The near limitless options, as far as equipment and microphones were concerned, allowed the band to shape and refine the definition of the Barn Owl sound. The extra time in the studio also allowed for other textural embellishments. Marielle Jakobsons (of Darwinsbitch, Date Palms, Myrmyr) contributed violin to &#8220;Flatlands&#8221; and &#8220;Awakening&#8221; which gave the two pieces a heavier Americana vibe and really enriched the sonic palette. The Norman Conquest lent vocals to several tracks and also played modular synth through a Marshall half-stack that added a nice low end to the title track. On &#8220;Incantation&#8221;, an ensemble that Caminiti and Porras are members of called Portraits, played gong, bells, singing bowls, and other percussive metals which really lends to the ritualistic feeling of the piece. At the very least, there are 10 people playing on the track. Ancestral Star also acts as the first album in which bowed guitar is heavily explored.&#8221;</p>
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		<item>
		<title>ava mendoza shadow stories review</title>
		<link>http://www.thenormanconquest.net/recording/ava-mendoza-shadow-stories-review</link>
		<comments>http://www.thenormanconquest.net/recording/ava-mendoza-shadow-stories-review#comments</comments>
		<pubDate>Thu, 22 Apr 2010 05:34:23 +0000</pubDate>
		<dc:creator>the norman conquest</dc:creator>
				<category><![CDATA[albums]]></category>
		<category><![CDATA[recording]]></category>
		<category><![CDATA[reviews]]></category>
		<category><![CDATA[ava mendoza]]></category>
		<category><![CDATA[resipiscent records]]></category>
		<category><![CDATA[shadow stories]]></category>
		<category><![CDATA[the sound projector]]></category>

		<guid isPermaLink="false">http://www.thenormanconquest.net/?p=268</guid>
		<description><![CDATA[check out this review of Shadow Stories by Ava Mendoza!!!  here&#8217;s an excerpt- &#8220;&#8230;that energy translates directly onto the disc here thanks to the vivid recording quality courtesy of engineer The Norman Conquest.&#8221;]]></description>
			<content:encoded><![CDATA[<p>check out <a title="the sound projector shadow stories review" href="http://www.thesoundprojector.com/2010/04/18/intangibles/" target="_blank">this review</a> of <a title="Shadow Stories" href="http://www.resipiscent.com/artist/view/40" target="_blank">Shadow Stories</a> by <a title="Ava Mendoza" href="http://www.myspace.com/avamendoza" target="_blank">Ava Mendoza</a>!!!  here&#8217;s an excerpt- &#8220;&#8230;that energy translates directly onto the disc here thanks to the vivid recording quality courtesy of engineer The Norman Conquest.&#8221;</p>
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		<title>Ragged Atlas reviewed on NPR&#8217;s California Report!</title>
		<link>http://www.thenormanconquest.net/recording/ragged-atlas-reviewed-on-nprs-california-report</link>
		<comments>http://www.thenormanconquest.net/recording/ragged-atlas-reviewed-on-nprs-california-report#comments</comments>
		<pubDate>Wed, 14 Apr 2010 04:28:26 +0000</pubDate>
		<dc:creator>the norman conquest</dc:creator>
				<category><![CDATA[albums]]></category>
		<category><![CDATA[cosa brava]]></category>
		<category><![CDATA[recording]]></category>
		<category><![CDATA[reviews]]></category>
		<category><![CDATA[carla kihlstedt]]></category>
		<category><![CDATA[Fred Frith]]></category>
		<category><![CDATA[intakt records]]></category>
		<category><![CDATA[matthias bossi]]></category>
		<category><![CDATA[ragged atlas]]></category>
		<category><![CDATA[shahzad ismaily]]></category>
		<category><![CDATA[zeena parkins]]></category>

		<guid isPermaLink="false">http://www.thenormanconquest.net/?p=249</guid>
		<description><![CDATA[Check it out! UPDATE!  Buy the album on iTunes here.]]></description>
			<content:encoded><![CDATA[<p><a title="Ragged Atlas reviewed on NPR's California Report" href="http://www.californiareport.org/archive/R201004091630/e" target="_blank">Check it out!</a></p>
<p>UPDATE!  Buy the album on iTunes <a title="Cosa Brava Ragged Atlas" href="http://itunes.apple.com/us/album/ragged-atlas/id359584349" target="_blank">here</a>.</p>
]]></content:encoded>
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		<title>The Wire magazine review of &#8220;The Black Room&#8221; by Dokuro</title>
		<link>http://www.thenormanconquest.net/albums/thewiretheblackroom</link>
		<comments>http://www.thenormanconquest.net/albums/thewiretheblackroom#comments</comments>
		<pubDate>Wed, 24 Feb 2010 22:19:05 +0000</pubDate>
		<dc:creator>the norman conquest</dc:creator>
				<category><![CDATA[albums]]></category>
		<category><![CDATA[dokuro]]></category>
		<category><![CDATA[reviews]]></category>
		<category><![CDATA[avant garde]]></category>
		<category><![CDATA[experimental]]></category>
		<category><![CDATA[music]]></category>
		<category><![CDATA[noise]]></category>
		<category><![CDATA[The Wire magazine]]></category>

		<guid isPermaLink="false">http://www.thenormanconquest.net/wpbuilding/wordpress/?p=99</guid>
		<description><![CDATA[(2008- David Stubbs) Based in Oakland, California, Dokuro are visual artist/composer Agnes Szelag and the magnificently nomenclatured The Norman Conquest. They include the word &#8220;pop&#8221; in their self-definition, which is a little like Sunn 0))) locating a Country &#38; Western element somewhere in their music. This is extremist fare that blasts away the earwax without [...]]]></description>
			<content:encoded><![CDATA[<p>(2008- David Stubbs)</p>
<p>Based in Oakland, California, Dokuro are visual artist/composer Agnes Szelag and the magnificently nomenclatured The Norman Conquest. They include the word &#8220;pop&#8221; in their self-definition, which is a little like Sunn 0))) locating a Country &amp; Western element somewhere in their music. This is extremist fare that blasts away the earwax without leaving you feeling pointlessly bludgeoned. On &#8220;The Ghost Goes West&#8221;, clouds of generated electricity belch blackly, then are discreetly sculpted. &#8220;Shadow of the Cat&#8221; is sheer catastrophe, all earthquake and Grindcore, its rotorblade still whirring long after the helicopter has crashed and burned. Finally, with &#8220;October Moon&#8221; a calm descends and dawn breaks over a charred landscape quiet but for the sporadic noises of afterburn.</p>
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		<title>textura online review of &#8220;The Black Room&#8221; by Dokuro</title>
		<link>http://www.thenormanconquest.net/albums/texturatheblackroom</link>
		<comments>http://www.thenormanconquest.net/albums/texturatheblackroom#comments</comments>
		<pubDate>Wed, 24 Feb 2010 21:37:07 +0000</pubDate>
		<dc:creator>the norman conquest</dc:creator>
				<category><![CDATA[albums]]></category>
		<category><![CDATA[dokuro]]></category>
		<category><![CDATA[reviews]]></category>
		<category><![CDATA[avant garde]]></category>
		<category><![CDATA[experimental]]></category>
		<category><![CDATA[music]]></category>
		<category><![CDATA[noise]]></category>
		<category><![CDATA[textura]]></category>

		<guid isPermaLink="false">http://www.thenormanconquest.net/wpbuilding/wordpress/?p=94</guid>
		<description><![CDATA[(2008- textura) Dokuro, which unites electro-acoustic improvisers Agnes Szelag and The Norman Conquest, kicks up some serious feral dust in The Black Room. Though four of the EP&#8217;s five pieces are short, brief running times don&#8217;t prevent the pair from plunging into viral, feedback-infested pools where electronics and cello meld into feedback-drenched vortices. Much of [...]]]></description>
			<content:encoded><![CDATA[<p>(2008- textura)<br />
Dokuro, which unites electro-acoustic improvisers Agnes Szelag and The Norman Conquest, kicks up some serious feral dust in The Black Room. Though four of the EP&#8217;s five pieces are short, brief running times don&#8217;t prevent the pair from plunging into viral, feedback-infested pools where electronics and cello meld into feedback-drenched vortices. Much of the material is heavily-distorted: “The Ghost Goes West” sputters like some writhing machine set to implode; “Shadow of the Cat” drowns in an annihilating storm of feedback and rippling noise; and “Kuroneko” layers violent howls over an anchoring drum pattern. The cello makes its first recognizable appearance in the fourth song “Shikoku” which says something about how far the duo pushes its sound manipulations. The moment doesn&#8217;t last long, however, as the instrument quickly vanishes within a tribal storm of anguished yelps and throbbing rhythms. At nine minutes, the apocalyptic dirge “October Moon” allows Dokuro ample room to maneuver and stretch out. In this fully-realized set-piece, Szelag&#8217;s voice and distorted cello moan over a curdling tempo while shards of razor-sharp tones crawl across a wasteland of incinerated ruins. Like Lilienweiss&#8217;s, Dokuro&#8217;s sound may not be conventionally &#8220;pretty&#8221; but it&#8217;s undoubtedly powerful.</p>
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